![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8dGHk5SpBmNrhh-INzpyeAU4Rch-nNuydzXhc2iOKJXD4wgmeFRNzGmksiB1QCOsVYGJeF3477o8bfH8EzR_jXcx4uvqgh0l7CUsS0H7H0x9j5gqrZyRh9R2Raq-tOHN1d8jf4v3Eoig/s400/shopping+fever+film+by+lagerfeld.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimTEuFdQOMntYkwmDKbnFjmUzzAH9Qkpa6Bfse2zbmQ467ju7yUCEHKjaE41vRKu4t7miwDp6scTq8qEcDcFk-_1nEatmm5p4OhYs34G7aCbFL3Sv4cIW3Lsw167UwYJQarLABfsKm_l0/s400/2.jpg)
From buying to wearing to ultimately giving it away, fashion is a temporary love affair that has no shame about exchange. The delineation between fashion & art however is not fetishism of the commodity. Both fashion & art are part of the cult of objects.
Andrea Spotorno for 10 magazine, Summer 2010
Fashion is normally a more expendable consumption, because even the best preserved couture is meant to be worn and after use the object is of lesser value. Art is normally considered a commodity with endurance, an untouchable object of increasing value. Fashion & art collide when fashion is untouchable and art is only a momentary event. This is the intersection of fashion photography and fashion films.